
剛剛看了 Christopher Nolan 的第一套片子《Following》,很好看。我喜歡這類既小又精的作品。在片中你可以看到 Nolan 的「trademark」:運用拼貼手法,交替不同場面,留下蜘絲馬跡,引起重重懸念。其實手法上會令我想起蒲澤直樹,但電影的節奏當然快得

剛剛看了 Christopher Nolan 的第一套片子《Following》,很好看。我喜歡這類既小又精的作品。在片中你可以看到 Nolan 的「trademark」:運用拼貼手法,交替不同場面,留下蜘絲馬跡,引起重重懸念。其實手法上會令我想起蒲澤直樹,但電影的節奏當然快得
For those of you who haven't heard, OpenSolaris is dead; see theleaked internal memo for details (via here , here , here ,or even Slashdot ).In a way, I can't say that I'm too surprised, but I am rather unhappy.
We don't run OpenSolaris in production so in one sense we aren'tdirectly affected. But there are at least two areas where this islikely to hurt us, possibly quite badly. The big one is what is
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A commentator on my recent entry on how programs should make it easyto change the font size asked me toexplain why I'd do this and said that they didn't even change the fontsize in Firefox, which boggles me quite a lot. When I boil it downenough, there are two reasons.
The first reason is the reason that I keep changing font sizesin Firefox: because (web) designers are crazily in love with not merely small font sizes, but absurdlysmall font sizes. I