Leica hektor 125mm f2.5 是leica m系的135鏡頭，放落那個Visoflex使用，令m機有單反的感覺。不過，此鏡的法蘭真的有很多位，就算放上hasselblad都有無限遠。不拿來拍拍6x6片幅的菲林就太浪費了，很多人拿上pentax 645d玩，但做器材

上回用負片試完voigtlander brillant heliar 75mm f3.5的實力，今次就用正片打一卷看看。正片掃瞄的話，成像是差一點，看燈箱的話，表現很好，看來白玻璃也不是完全就是低反差嘛。

下次就把這支鏡拆下來，接上哈蘇玩，呵呵。

之前一個九龍城書展，也就帶台speed graphic去玩玩4x5即影即有，用了fp100c45和fp3000b45來試鏡。主要試了兩支，一支由67鏡抽出轉插seiko一號快門的mamiya rb 127mm f3.8，像場還有點可以移呢。另一支也是在gx

六月初，去獅子會，只見荷花三四朵，距離遠，手中無長焦，難以攝玩，唯把撚手中pentax k1 重曝功能，做下創作。當然，也不是什麼好創作，因為真的以試pentax k1的重曝功能為主。k1有9999次重曝呢，三種mode，加亮，疊加

第二回玩Pentax super takumar 85mm f1.9，再用bessaflex tm加kodak colorplus 200試，踢波做龍，俾人省到扭親，又要睇跌打，這個年頭找個好跌打不易，個個都搵你笨要你日日去，土瓜灣這個師傅串，話一劑搞定，叫你別再來再他，有事先好返來看他

Voigtlander brillant 是福仔的經典雙鏡中片幅相機，66機身設計陽春，基本上就是把鏡間快門鏡頭裝上一台雙反機身，過片還是要看紅窗的，低科技得不得了。平價版是配skopar lense，但這回入手的是配 heliar 75mm f3.5鏡頭，上組鏡頭是f2.2

維修好我台bessaflex TM之後，自然要多插插M42鏡頭上機身多多試鏡，品味m42世界的菲林味道。pentax m42可是其中一個平靚正的首選。手上這支還是旭光光學年代的m42pentax老鏡，鏡片有點黃，不知拍出來如何，pentax super takumar時期的玻

The French optics firm of Pierre Angenieux was established in 1935. The company was known for the the retrofocus lens, introduced in 1950. This was a trade name for a lens design in which the focal length of the lens was less than the distance between the rear lens element and the image plane. Angenieux began designing zoom lenses for motion picture cameras in 1957. During the 1960s, their wide angle C mount zoom lenses were often advertised in product catalogs

SOM Berthiot continued to improve the design of the Pan Cinor lens throughout the 1960s. The built-in reflex viewfinder on later lenses included split image or coincident image focusing aids that increased the versatility of non-reflex cameras. At the same time, the 40 RX and 85 Compact were designed specifically for use with reflex H models. In cooperation with Paillard, SOM Berthiot designed the lenses for the Bolex Zoom Reflex P1, P2, P3 and Zoom Reflex Automatic P4 cameras