The Yongnuo 50mm F1.8 DA DSM II is a lightweight, budget-friendly lens that improves autofocus and color rendition over its predecessor. It offers good sharpness, low distortion, and attractive bokeh. However, its ergonomics are simplistic and sharpness wide open could be better. Recommended for low-budget photographers.

The Brightin Star 60mm F2.8 Macro II offers very good macro performance with very good sharpness at various apertures, but its short focusing distance from 50cm to infinity limits versatility. It is well-built and reasonably priced at $170, though competitors like Laowa provide better quality but at a higher cost.

The Laowa 200mm F2 lens, priced at 2300 euros, excellent image quality, very good to excellent sharpness, and beautiful bokeh but underperforms in autofocus for sports , sharpness wide open and lacks stabilization. Its heavy build may hinder handheld use, and a stiff aperture ring complicates adjustments. Alternatives like the Sigma 200mm F2 DG OS Sports offer superior performance and better sharpness wide open.

The Voigtländer 28mm F2 Apo Lanthar lens offers exceptional build quality and outstanding sharpness with minimal chromatic aberrations and excellent color rendition. Although high vignetting and corner sharpness issues at wide apertures are drawbacks, it remains a top choice for its performance, especially at F4. A less expensive Viltrox option is available but with compromises.

The Sony 100mm F2.8 GM Macro lens is acclaimed for its outstanding sharpness and ergonomics, featuring optical stabilization and a focus clutch mechanism. Priced at 1599 euros, it excels in macro photography with excellent color rendition and bokeh. Competitors include Sigma and Tamron lenses, though none match its features.

The Brightin Star 24mm F1.8 lens, priced at 369 euros, offers Very good to excellent sharpness in the center, very good build quality, and impressive optical performance with low chromatic aberrations and pleasing bokeh. However, its long minimum focusing distance and moderate flare resistance are noted drawbacks. The 7 Artisans 24mm F1.8 AF. is similar but a bit sharper

The review compares the Pergear and 7 Artisans 50mm F1.2 lenses, highlighting their identical optical specifications but differing in housing weight and lens hood. Both lenses perform well for portraits with good color rendering and soft bokeh, though sharpness is average at F1.2, improving at F4. They also exhibit some flare resistance issues.

The Pergear 50mm F1.2 lens, priced at $99, offers solid portrait performance with smooth background blur and good color rendering. While sharpness is adequate at F1.2, it improves at F4. It has a long minimum focusing distance of 70cm and below-average flare resistance, making it an ideal budget option.

The 7 Artisans 6mm F2 is an ultra-wide fisheye lens for Sony APSC cameras, featuring excellent center sharpness, solid build quality, and pleasing bokeh. Priced at 209 euros, its primary drawback is corner sharpness, which only improves at f/5.6. It's recommended for those seeking extreme wide-angle perspectives.

The Sirui 50mm T1.8 Anamorphic AF lens is part of a groundbreaking line of full-frame anamorphic lenses offering autofocus capabilities. Priced at $849, it features excellent build quality, efficient autofocus, and a compact design. While sharpness may be average, it excels in color rendition and cinematic visuals, making it highly recommended for videographers.