At the NAB Show 2026 in Las Vegas, Adorama Business Solutions introduced a new initiative to support organizations that rely on video and multimedia production. The $50,000 Multi-Media Studio Upgrade Contest will award two organizations a studio transformation package valued at up to $50,000 each, including equipment, consultation, and integration support.

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Behind-the-scenes videos show how Harman makes film today, from the lab to the production line. The process balances chemistry, engineering, and constant iteration at every stage. Together, the videos reveal a fascinating look into how analog photography continues to evolve in the modern age.

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The only known photograph of Neil Armstrong on the moon -- and a rare, type 1 example at that -- is up for auction. At the time of publication, it was bidding at more than $15,000 with less than seven hours remaining.

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Camera traps captured incredible footage of 10 different predators, including leopards, blue monkeys, and eagles, descending on a bat cave and feasting on the winged mammals.

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In February, PetaPixel published its review of the Canon 14mm f/1.4L VCM lens and found some issues with its performance in astrophotography. There were many theories from readers and viewers of the YouTube channel as to why this happened, but none of them were right. The truth is a little more interesting.

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Viltrox has announced a "new" 35mm prime lens, the AF 35mm f/1.2 LAB N FE. Viltrox describes the lens as a refinement of its original AF 35mm f/1.2 LAB released last year.

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Less than two weeks after teasing a new drone series, Lito, DJI has officially unveiled the Lito X1 and 1 drones, new entry-level aerial camera drones designed to be accessible and beginner-friendly as soon as they're powered on. Unfortunately, they aren't launching in the U.S. yet.

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Film fans believe that a key plot point in Zendaya's and Robert Pattinson's new movie The Drama was inspired by photographer Lindsay McCrum's 2011 book Chicks with Guns.

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IMAX film screenings are special experiences. Not many theaters play the actual IMAX celluloid, and that is in large part because of the insane logistics involved with projecting the film.

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John Lyke found his niche as a cameraman when he was just eight years old. Like many other kids, he strapped on a pair of rollerblades and began skating around. The difference is he's never taken them off.

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