Samyang has announced that it will release the AF 24-60mm f/2.8, the follow-up to the AF 14-24mm f/2.8 FE and the second lens designed in conjunction with German optical manufacturer Schneider-Kreuznach.

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As a photographer, there is nothing worse than looking back at an image and realizing it is all blurry. But new research reveals that there could be precious data in that soft photo.

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In yet another example of a sports star turning to photography, basketball player Landry Shamet attended the US Open final last night with a camera in hand.

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With the upcoming blood moon eclipse this weekend, astrophotographer Andrew McCarthy has revealed a unique image he took during the last total lunar eclipse earlier this year.

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I shoot digital. I don’t do film, and I have never touched a film camera. I have never spent hours in a darkroom waiting for a print to appear under red light. My photography career began entirely digital, and I have grown to appreciate the possibilities it offers. Every modern camera provides clarity, precision, and control that film could never fully deliver. Every detail, every color, every expression is there, ready to tell the story as it happened.

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A photo of a leopard seal with its jaws wide open has taken home the top prize in the Underwater Awards Australasia 2025.

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Photographer Nick Ut was honored last night at Visa pour l'Image, the International Festival of Photojournalism, in France. The honor came just days after the news broke that Netflix acquired The Stringer, the explosive documentary that alleges Ut did not capture "The Terror of War," one of the most famous photos in history. Ut received a lengthy ovation and further defended himself against the documentary's allegations.

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The latest James Webb Space Telescope (JWST) image delivers a "glittering glimpse of starbirth," the European Space Agency explains.

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Designed for use with the Lab-Box system, the M-Box promises to streamline film development by automating the agitation process.

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In e-commerce, photography isn’t just a picture—it’s the customer’s only connection to the product. A shopper can’t hold the glasses, feel the texture of the frame, or judge the true glossiness of the metal. When the image doesn’t reflect reality, the result is disappointment, higher return rates, and ultimately, a loss of trust in the brand.

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